Director Kathryn Bigelow and screenwriter Mark Boal join Fresh Air to talk about their film The Hurt Locker. Set in Baghdad, the movie follows the story of three men who are part of the Army's bomb unit, charged with the task of disarming IEDs and other roadside bombs.
In November of 2009, journalist Aram Roston published a story in The Nation titled "How the US Funds the Taliban" about how U.S. military contractors are forced to pay suspected insurgents to protect American supply routes. Roston is an award-winning investigative journalist who has reported from Iraq, Iran and Afghanistan. His 2008 book, The Man Who Pushed America to War: The Extraordinary Life, Adventures and Obsessions of Ahmad Chalabi, is about the relationship between the U.S. government and one privileged Iraqi.
Late-night television is at war ... with itself. The Tonight Show's Conan O'Brien has drawn a line at 11:35 p.m. and says that he won't cross it — not for Jay Leno and not for NBC.
Singer, songwriter and producer T-Bone Burnett says his approach to making music is simple: "Just listen until it sounds right."
Burnett has been getting it right for a long time, and his latest project is the critically acclaimed film Crazy Heart, for which he wrote several songs for the main character — a broken-down musician played by Jeff Bridges. Bridges is not a trained singer.
Jonathan Cohn traveled the country in search of ordinary Americans who had been affected by America's health care crisis. The stories he found — of heart attack victims becoming casualties of overcrowded emergency rooms and diabetes patients going blind because they can't afford treatment — earned him the Harry Chapin Media Award for coverage of poverty-related issues, as well as praise from both journalism and health care professionals. They also became the core of his book Sick: The Untold Story of America's Health Care Crisis — and the People Who Pay the Price.
Mary J. Blige has a classic R&B instrument: Her voice has that mixture of gospel assurance, soulful rawness and dynamic range that enables her to make her best performances into short stories with a beginning, a middle and an often cataclysmic end. Her ninth studio album, Stronger With Each Tear, is an uneven effort that finds Blige shifting her tactics between commercial calculation, gut-instinct music she just wants to sing the heck out of, and some ineffable combination of the two.
T. Christian Miller doesn't shy away from trouble. He has reported on conflicts in Kosovo, Israel and Iraq, among others, and the Web site he founded, ProPublica, is dedicated to covering stories with "moral force" — providing in-depth coverage of environmental, defense, and human rights issues. One story Miller has been following closely, in a series of articles titled "Disposable Army," is the fate of employees who worked for private military contractors in Iraq and Afghanistan.
Vic Chesnutt was paralyzed from the waist down at the age of 18, but he's still a massively productive songwriter. Chesnutt has fifteen albums under his belt and his songs have been covered by Madonna, Smashing Pumpkins, and R.E.M. His new album, At The Cut, is a collaboration with Guy Picciotto of the band Fugazi. (
Memphis music producer and musician Willie Mitchell started his career as a bandleader in the 1950s before working his way up to the highest courts of Memphis soul. Over the course of his rise, he released a number of solo records and produced hits that helped to define how we think of soul today.
As creator of the Star Wars universe, George Lucas launched a franchise whose impact on pop culture — and on Hollywood — has been immeasurable. His special-effects house has pioneered one cinematic revolution after another.
For the last three years, comedian John Oliver has been telling some serious jokes as "Senior British Correspondent" on The Daily Show With Jon Stewart. He won an Emmy for his work on the show in 2009, but his comedic career is not confined to the fake newsroom. On January 8, 2009, Oliver debuts his newest act: John Oliver's New York Stand-Up Show. The title, as he explains to Fresh Air host Terry Gross, pretty much says it all.
Stanley Tucci may be a star, but he's still got the protean gifts of a great character actor: He can transform himself for each new role he brings to the screen. You've seen him as a flamboyant art director in The Devil Wears Prada, a stereotypical Italian gangster in The Road To Perdition, a conniving politico in Swing Vote, the impish Puck in A Midsummer Night's Dream and a neurotic lover in Deconstructing Harry. And if a career like that suggests a certain versatility, Tucci's most recent films particularly highlight his ability to inhabit a range of personalities.
Sullivan's new book, Stop Getting Ripped Off: Why Consumers Get Screwed And How You Can Always Get A Fair Deal, is a guide to informed consumption. He joins Terry Gross to talk about the traps consumers fall into when dealing with credit card and cell phone companies, banks, and an old favorite: car salesmen. Sullivan is a New York Times best-selling author and a regular on CNBC's On The Money, NBC's Nightly News, and The Today Show.
With his wide leaps between long tones and a sometimes generous use of space, trumpeter Wadada Leo Smith nods occasionally to 20th-century European concert music. But he's also one of the modern improvisers most grounded in African-American vernaculars; he's the stepson of Mississippi bluesman Alex Wallace, and he played for a spell in Little Milton's blues band. Smith's projects are all over the map, but often have this much in common with the blues: the byplay between a strong voice — his horn, in this case — and percussive strings.
The veteran punk rocker John Doe embraced his inner mountain man on Country Club, an album of classic country covers he recorded with The Sadies. The Canadian rockers and the former X frontman joined Terry Gross in the Fresh Air studio for an interview and an intimate performance.
This interview was originally broadcast on May 19, 2009.
During his lifetime, South African poet Dennis Brutus made incredible contributions to the fight against apartheid. Brutus died on December 26, 2009, after successfully battling segregation in athletics with global recognition. Fresh Air remembers the life and achievements of Brutus in this interview from 1986
This interview was originally broadcast on April 22, 1986.
Movies you've heard plenty about (Avatar, Where the Wild Things Are) rub elbows with movies you may have missed (Summer Hours, Everlasting Moments) on our critic's list of the finest big-screen features of 2009. Edelstein joins Terry Gross to talk about the year in pictures.