Country music singer Miranda Lambert returns with a second album, Crazy Ex-Girlfriend. Her debut album, Kerosene, went platinum in 2005 and earned her a Grammy nomination.
A concert and conversation with Los Straitjackets, the Nashville-based indie-rock band that's made a name performing surf-rock classics from behind Mexican wrestling masks.
The group's latest album, Rock en Espanol, Vol. 1, features Spanish language versions of rock 'n' roll hits from the 1960s.
Tracks include "De Dia y de Noche" ("All Day and All Night"), popularized by the Kinks, "La Hiedra Venenosa" ("Poison Ivy"), made famous by the Coasters, and many more.
The Sopranos' final episode aired last night on HBO. Spoiler alert: Critic David Bianculli's review tells us how the episode, and the series, concludes.
George Clooney and the gang return to Vegas and to the casino caper for this third installment in Steven Soderbergh's hit franchise.
While Ocean's Twelve was all over the place, this one's as elegant and streamlined as hero Danny Ocean. As the plotting gets knottier, Soderbergh's technique gets more fluid — the editing jazzier, the colors more luscious, the whip-pans more whiz-bang.
On TV's Rescue Me, the comic, actor and writer Denis Leary plays a highly strung, highly macho fireman Tommy Gavin, who deals with raging fires and his own raging male ego. Season 4 of Rescue Me starts next week on the FX network.
Leary, who's worked in films including The Thomas Crown Affair and The Ref, sidelines as a singer, too; his comedy CD No Cure for Cancer spawned the provocatively titled hit single "Asshole."
Michael Hearst, a founder of the band One Ring Zero, put out his Songs for Ice Cream Trucks CD mostly for fun. But he's been getting calls from ice-cream truck drivers who want to use them. Some of the instruments you'll hear on the collection include glockenspiel, electronic chord organ, melodica and theremin.
Journalist Scott Shane writes for The New York Times about terrorism and the CIA's interrogation techniques. His article "Soviet-Style 'Torture' Becomes 'Interrogation'" describes how the United States has adopted interrogation techniques that it decried when they were used by the Soviet Union.
Author Tara McKelvey interviewed former prisoners from Abu Ghraib for her book Monstering: Inside America's Policy of Secret Interrogations and Torture in the Terror War McKelvey is senior editor at The American Prospect and a research fellow at the NYU School of Law's Center on Law and Security.
Larry Wilmore, jokingly billed as "Senior Black Correspondent" on The Daily Show with Jon Stewart, worked as a writer on In Living Color and The PJ's before getting his fake-news-show gig.
Wikipedia, the free online encyclopedia, is designed to take advantage of "the wisdom of crowds," meaning anyone can edit (and re-edit) the entries. The open-source approach brings with it a unique set of strengths — and limitations.
Steven Bach's biography Leni: The Life and Work of Leni Riefenstahl examines the filmmaker who celebrated the Nazi ideal and created the Third Reich's iconic images in Triumph of the Will and Olympiad. Bach details Riefenstahl's ruthless, opportunistic ambition, analyzes her "self-righteous entitlement," and explores her relationships with Hitler, Goebbels and Albert Speer. What emerges is a compulsively readable and scrupulously crafted work.
Husband-and-wife team Win Butler and Regine Chassagne lead the band Arcade Fire, an art-rock outfit that hails from Montreal.
The seven-member band, which deploys everything from piano, sax and violin to dobro, harpsichord and hurdy-gurdy, has two albums to its credit: Neon Bible and 2004's Funeral.
Critic David Bianculli is a big Beatles fan, and to pay homage to the 40th anniversary of the release of Sgt. Pepper's Lonely Hearts Club Band, he turns to other homages: On today's Fresh Air, Bianculli reaches into his record collection and pulls out favorite cover versions of the songs from the album.
The premise of Knocked Up is as blunt — as basic — as its title: An attractive and newly successful TV correspondent becomes pregnant after a drunken one-night stand with Ben, who's not just unsuitable but an unholy monument to self-indulgence. Judd Apatow's film is conventional, even conservative, but somehow it plays like one of the hippest movies ever made.
Anchors & Anvils is the jazzy, torchy, after-a-breakup second album by singer, actress and stand-up bassist Amy LaVere. Jim Dickinson, who's worked with Bob Dylan, the Rolling Stones and the Replacements, produced the disc.
Judd Apatow has been a writer for Larry Sanders and Ben Stiller, and he worked on the cult-favorite TV comedy Freaks and Geeks. But you'll know him as the writer-director of the hit film The 40-Year-Old Virgin.
Now he's back with Knocked Up; guest host David Bianculli talks to Apatow and to Knocked Up star Seth Rogen, who plays an oafish slacker confronted with the prospect of fatherhood after a one-night stand.
Arnold Rampersad's new biography re-examines the life of Ralph Ellison, the influential cultural critic and author of Invisible Man, and offers insights about why Ellison never produced a second masterpiece.
The 60th Cannes Film Festival drew more than 4,000 journalists, so it's possible you've heard a little something about the hits and misses there. Michael Moore screened a damning documentary about the U.S. health-care system, while singer Norah Jones made her acting debut in a film from Hong Kong auteur Wong Kar-Wai. Critic-at-large John Powers reports on other high- and low-lights.
Yanar Mohammed, an internationally renowned Iraqi activist, founded the Organization of Women's Freedom in Iraq to advocate for women's rights. It's an uphill fight: From the 1950s to the 1970s, Iraqi women could legally work, study, marry and divorce, and wear what they wanted, but the new constitution in Iraq, based on the Islamic Sharia law system, denies women the civil and social rights guaranteed to men.
Alan Furst's best-selling spy thrillers (Kingdom of Shadows, Night Shadows, The Polish Officer) play out in the brooding, tumultuous Europe of the pre-World War II years, offering an intimate, insider portrait of an escalating crisis in which the players can't always see the implications of the game. Critic-at-large John Powers explains why he's a fan.
