Journalist Jim Newton's new book, Justice For All: Earl Warren and the Nation He Made, looks at the life of the Supreme Court Justice who presided over such landmark decisions as Brown v. Board of Education. Newton is a Pulitzer Prize-winning journalist, sharing in the awards given to the Los Angeles Times for coverage of the Los Angeles riots in 1992 and the 1994 earthquake.
Maureen Corrigan runs down her list of the year's best fiction, including a series of books set in post-Sept. 11 New York City, Richard Ford's last installment in the Frank Bascombe trilogy and fiction by two Alices.
Rock critic Ken Tucker reviews The Black Parade, the third album by the New Jersey quintet My Chemical Romance. Their dark musical approach has gotten them labeled as an "emo" band.
Brian Whitaker is the Middle East editor for the British newspaper The Guardian, and his new book is Unspeakable Love: Gay and Lesbian Life in the Middle East. Whitaker also runs the al-Bab Web site, which aims to provide Arab cultural and political information to non-Arabs.
Milo Miles talks about the music of Brazilian singer, songwriter, and bandleader Marisa Monte. Monte produces her own records, organizes bands and shapes every aspect of her career. She released a pair of albums earlier this year, Universo ao Meu Redor, and Infinito Particular.
Israeli gay rights activist Noa Sattath is the executive director of Jerusalem Open House, an organization devoted to fostering gay pride. Last month, the city hosted WorldPride 2006: Love Without Borders, an international pride gathering. A gay pride rally was held at a university stadium in Jerusalem under tight security. A march was planned but did not take place.
Musicians Chris Gaffney and Dave Gonzalez of the Hacienda Brothers discuss their new album, What's Wrong with Right. The band, based in Tuscon, Arizona, blends country and rhythm and blues, and 'What's Wrong with Right' is a mix of original songs and covers. Their producer is the legendary Dan Penn.
Since 2004, journalist Huda Ahmed has been covering the war in Iraq for the McClatchy (formerly Knight Ridder) News Service. This spring, she was awarded the Elizabeth Neuffer Fellowship by the International Women's Media Foundation. The fellowship is named for Boston Globe reporter Elizabeth Neuffer, who was killed while on assignment in Iraq. Ahmed has written about the issues of women and children in a war zone, human rights abuses and the struggle of women in a Muslim society, and will discuss the particular dangers of covering the war in Iraq.
Timothy Egan is the author of the book The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl. Now out in paperback, the book was awarded the National Book Award for nonfiction. Egan is a national enterprise reporter for the New York Times, and was part of the team that won a Pulitzer Prize in 2001 for a series on race in America.
Journalist Stephen Kiernan's new book is Last Rights: Rescuing the End of Life from the Medical System. Kiernan writes that doctors are not well-trained in end of life procedures, and that half of those who die in hospitals suffer untreated pain, while those in nursing homes risk abuse and personal bankruptcy. Based in New England, Kiernan has written for the Boston Globe, the Burlington Free Press and other publications. He received the George Polk Award for medical reporting and the Joseph Breckner Center's Freedom of Information Award.
Film critic David Edelstein reviews the new animated feature Happy Feet. As the film's domestic earnings approach $100 million, the musical has started to pop up on lists of prospective Best Picture nominees.
Actor, producer and director Danny DeVito was first known for his role as Louie on the TV comedy Taxi. He directed War of the Roses, Hoffa and Death to Smoochy, and produced Erin Brockovich and Pulp Fiction. DeVito is now starring in Deck the Halls.
The Beatles' original producer George Martin worked on a Fab Four soundtrack to a Cirque du Soleil Las Vegas show, which remixed and combined various Beatle songs. Now, Martin and his son Giles have released a modified soundtrack of that production, an album called Love.
Jazz singer Anita O'Day died last week of a heart attack at the age of 87. She was known for her distinctive legato style, the result of a botched childhood tonsillectomy that left her without vibrato. O'Day made her name with the bands of Gene Krupa and Stan Kenton, and later had success as a solo performer.
Nicholas Blanford is the Beirut correspondent for the Christian Science Monitor. His new book, Killing Mr. Lebanon, is about the 2005 assassination of former Lebanese Prime Minister Rafik Hariri.
Ariel Levy is a contributing editor at New York magazine, where she writes about sexuality, culture and gender politics. Her new book is Female Chauvinist Pigs: Women and the Rise of Raunch Culture. One reviewer writes that Levy "strips the 'Girls Gone Wild' culture of its cuteness in her provocative [book], arguing that post-feminist poster girls such as Playboy Bunnies offer only faux empowerment."
Musicians and composers Phillip Johnston and Joel Forrester of The Microscopic Septet have reunited for the release of their two-volume History of the Micros: Seven Men in Neckties & Surrealistic Swing. The Microscopic Septet composed and recorded the Fresh Air theme song.
Former President Jimmy Carter addresses the conflict between Israelis and Palestinians in his new book, Palestine Peace Not Apartheid. Carter has founded a conflict resolution organization and won a Nobel Peace Prize for his mediation work.
Short story master Alice Munro would be justified in resting on her laurels at this point in her career — she's won Canada's Governor General's Literary Award three times, and the National Book Critics Circle Award. But in her new collection of stories, called The View from Castle Rock, Munro veers off into a fresh direction — exploring family history through fact and fiction.
The controversial new hit film Borat provides insight into how documentary and reality TV are really made. These programs all shape and color their characters, whether their intention is farce or sober assessment of a serious subject.
