Part 2 of the Fresh Air interview with composer Steve Reich. He talks about a new compostion called Electric Counterpoint, written for guitarist Pat Metheney. Metheny pre-recorded ten tracks, then performed the solo part live.
Jazz critic Kevin Whitehead reviews tenor saxophonist David Murray's new album, Ming's Samba. Whitehead says he revives some off-beat jazz traditions to create his distinctive sound.
Stanley Karnow's new book examines the United States' colonial interests in the Philippines. Karnow discusses the tension between Filipino and the imposed American culture, the enduring role of the United States after Filipino independence, and the rise of Ferdinand Marcos.
The Soap actor stars in a new sitcom, about a divorced man and his children. TV critic David Bianculli says that, unlike Guillaume's career and talents, the show has a long way to go.
Jazz pianist Dave McKenna is known both for his large repertoire of songs and his improvisatory skill. He joins Fresh Air to offer a musical meditation on the change of seasons.
Sautter says that, in order to break into the industry, aspiring television writers need to craft better material than what they see on air. His new book explains the mechanics and unspoken rules of scriptwriting.
The minimalist composer's new piece, Different Trains, contrasts Reich's childhood experiences crossing the country by rail to visit his divorced parents with the memories of Holocaust survivors' journey to concentration camps. The music incorporates recordings of several interviews into the orchestration.
Critic-at-large Laurie Stone says none of Stuart's past work could have prepared her for his newest novel. The story is narrated by a troubled adolescent boy who grapples with the incestual relationship between his father and sister.
Playwright and novelist Ntzoake Shange, best known for her play For Colored Girls, joins Fresh Air to talk about the diversity of the black experience, her childhood and early education, and the criticism she sometimes gets from black male authors and playwrights. Her new play is called Betsey Brown.
Rock critic Ken Tucker appreciates Madonna's provocative public persona; she's used her irresistible music to create videos and commercials that make controversial use of religious iconography. But her new album can't fully match her image; Tucker says there are too many ballads and not enough pop hooks.
Film critic Stephen Schiff hoped that the age of the teen comedy was over -- but he was impressed by Heathers, which captures the emotional intensity of high school life.
Journalist Dennis King has a new book about the infamous politician, whom King describes as an extreme, right-wing fascist. LaRouche, once a self-identified socialist, employed cult-like tactics to move his left-wing followers toward anti-Semetic ideologies, and was able to exert significant influence on both major political parties.
John Leonard reviews fellow book critic Jonathan Yardley's new memoir, Our Kind of People. Leonard disagrees with Yardley's world view, but his real criticism lies in how the author glosses over the enduring literary and cultural legacy of WASPs in the United States.
Not much of Cornysh's work survives, but the vocal ensemble the Tallis Scholars has unearthed enough to record a new album of the composer's sacred and secular music. Classical music critic Lloyd Schwartz says it's as excellent as all of the ensemble's previous recordings.
Fallows writes for the Atlantic Monthly, and reports on Asia. His new book, More Like Us, examines the cultural differences between the United States and Asian countries, and argues that America needs to embrace its unique diversity -- and work to resolve class differences -- in order to reach its full potential.
Scholar Kathryn Montgomery says that deregulation in the late 1980s has led to the rise of different advocacy groups who seek to influence television programming, often by targeting advertisers. Her new book, Target: Prime Time, explains how both minority and religious groups have mobilized in recent years.
Johnny Kidd started wearing his trademark eyepatch after a guitar string snapped mid-concert and injured him. His rockabilly-infused music inspired several British invasion bands, but Kidd could never match their success. Rock historian Ed Ward tells the story of his short career, and the legacy of his backing band, the Pirates.
HBO will soon air the animated show Babar, about an elephant and his family. TV critic David Bianculli says the program joins the ranks of other recent, excellent children's programming like Shining Time Station and the Peter Pan musical. More importantly, his kids love it too.
Carl Bernstein, who broke the Watergate story with his colleague Bob Woodward, has a new memoir about his parents, called Loyalties. Bernstein's mother and father were communist activists during the McCarthy era, and were monitored by the FBI.
